DOK LEIPZIG 31 OCTOBER – 6 NOVEMBER 2016
59TH INTERNATIONAL LEIPZIG FESTIVAL FOR DOCUMENTARY AND ANIMATED FILM
DOK Leipzig Film Festival

Cinema Futures


Cinema Futures


CATALOGUE TEXT
The “digital revolution” reached cinema at a fairly late date. It was almost universally regarded as a cause of joy since people believed its promise that it would make everything better, bigger, more beautiful and, above all, easier. To compound matters, this revolution was staged, celebrated and economically enforced as the greatest technological advance since the arrival of sound film. Who wanted to be left behind as an eternal reactionary or dull fault-finder in this heady air of departure?

From a distance of several years, “Cinema Futures” now explores the field between the specific cultural technique of analogue film and the promise of salvation brought by the alleged eternal life of bits and bytes. On one side there is the vision of the digital age as the final victory over transience. On the other side there is the threatening idea that our present is needlessly turned into a “dark age” not much of which will survive. Because, firstly, film as a physical object and, secondly, cinema as a techno-social infrastructure have become obsolete and, thirdly, no man and no machine will be able to read the howsoever “immortal” data.

Ralph Eue


Nominated for Healthy Workplaces Film Award

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The annotation to the Official Selection films were written by the members of the Selection Committee. All quotes from DOK Leipzig 2016 catalogue articles must be identified as such and cite the author's name. All articles where no author’s name is given are production notes.